David Osborn Photography. London. 2024.

Learn Artistic Photography

Maximize Your Holiday.  Create extraordinary Travel Photography.

David Osborn Photography. London. 2024.

Learn Artistic Photography

Maximize Your Holiday.  Create extraordinary Travel Photography.


I’m


Different …


I will teach you – How Photographs work,
so you can Create Photographs that work.

I’m

Different


I will teach you – How Photographs work,
so you can Create Photographs that work.

“My pictures are about light, form, distance, mood and atmosphere in beautiful locations.”


My job is to help improve your travel and landscape Photography from concept to print.

I Teach You ‘How To Create Pictures’

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Give Your Photography A Fresh Start Today

Travel and landscape Photography is enjoyable and exciting. – We may all travel to the same locations, but we don’t all need to create the same photograph. If we improve our Photography and transform our pictures, we can make beautiful, engaging Photography infused with light, mood, drama, and atmosphere. Then you enjoy a great holiday and create great photographs. –  I have 40 years of experience as a professional photographer, and as a personal tutor, I offer live online and in-person workshops. – I will teach you Artistic Knowledge, Photography Skills, and Photoshop Techniques to create beautiful, engaging travel and landscape Photography with artistic style.

“Why waste the opportunity to travel just because you lack knowledge now.”

The Artistic Knowledge To Create Like Painters

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Carlo Marrazza, Italy

IPA People Photographer of the Year 2023. Bakkarwals of Jammu and Kashmir, India.

David Osborn Photography, London, England, 2024.


I will teach you how to create light, form, distance, mood and atmosphere.

Our subjects change. The Principles of Good Photography are always the same.

Our subjects change. The Principles of Good Photography are always the same.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Think Of Photography As Signals

Think of Photography as making a ‘signal,’ like an electronic signal. – Photographers create the signal by taking a photograph; the photograph transmits the signal to the viewer, and the viewer decodes it. – When decoded, the signal stimulates the viewer, and the viewer generates an emotional response. – A percentage of the signal gets ‘lost in transit.’ Therefore, the more pure we make the signal, the more efficient and effective it is. – A signal that is weak, confused, or noisy won’t work. As photographers, our job is to control the content and quality of ‘The Signal.’

You have the camera equipment already. – Your improvement just needs visual knowledge now.

A Quick Tutorial

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Do You Isolate Photography?

Photography doesn’t live in isolation. – We must see Photography in the context of Art, Photography and Art, in the context of Human Nature. – Human Nature is people at a fundamental level, the common denominator we share with everyone worldwide: Human Nature sets the rules. – If we know ‘How people respond to pictures,’ we can use the same rules to ‘Create pictures people respond to,’ using our Artistic Knowledge. – Photography alone will only record the images. – Our ‘Signal’ has Human Nature, Artistic, and Photography elements – Therefore, we need less attention on Photography skills and far more concentration on learning Human Nature and Artistic Principles.

Human Nature Knowledge50%
Artistic Knowledge40%
Photography10%

If you know ‘Why pictures work,’ you will know ‘How to make your pictures work.’

Venice, Italy – Before & After Image.

How Good Photography Works …

Cameras Record. People Create.

The ‘Green flow’ creates engaging photographs; the ‘Red flow’ won’t.

People take pictures and look at pictures. Photography revolves around ‘People.’ At people’s core is universal human nature; therefore, our ‘Signal’ must begin with Human Nature. – Art is an aspect of human nature, so Artistic Knowledge is the next subject of our ‘Signal.’ – Within art, our speciality is Photography, which makes our picture. – These pictures will then appeal to your viewer’s human nature because you accounted for human nature and artistic quality when you made them. This ‘Green loop’ is a perfect loop for creating engaging Photography. The ‘Red loop’ is the standard approach to Photography, which causes your weaknesses and problems. – Photography is isolated; pictures aren’t engaging but mechanical and literal.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Let's See The Problem.

Cameras record. People create.

Photographers create weak pictures because they rely on their cameras to do all of the work. Cameras are tools; good tools don’t guarantee strong pictures; knowledge does. The cause of weak Photography is fixating on Photography; it makes you overlook the broader knowledge you need to create strong, engaging Photography. Photographers have all the photographic knowledge; the weakness is their lack of knowledge outside of Photography. Understanding our Human Nature for ‘How pictures work’ and Artistic Knowledge to ‘Make pictures work.’ If we isolate Photography only as enjoyment, we focus on enjoyment and not on learning how to make great pictures. – My role is to help teach you ‘How to create great pictures.’

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Prioritize The Picture

Learn how to make pictures for viewers.

The average person probably lacks formal artistic knowledge but can identify a good picture. Why is this? – It’s because good Photography appeals to our human nature. People evaluate Photography based on their intuitive human nature, NOT their knowledge of Photography. A viewer ‘feels’ it’s good Photography but can’t explain why. Our job as ‘The Photographer’ is to understand why it’s good Photography, or we have no logical basis to know how to improve our Photography. – You will strengthen your Photography by learning how to produce good pictures for viewers. Your improvement starts by seeing your Photography from the viewer’s perspective and prioritizing the picture over your self-enjoyment. – It’s all about ‘The Picture.’

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Understand People

Work with, not against, Human Nature

We must understand human nature. – It’s our ‘basic operating system’ and the only common denominator we share with people worldwide, crossing all language and cultural boundaries. It dictates how we perceive the world, including pictures and dictates that we are motivated by purpose, benefit and pleasure. It contradicts our human nature to do anything that has no purpose and gives no benefit. If we don’t work with Human Nature, our pictures won’t work. Human nature won’t adapt to our pictures; we must adjust our Photography to comply with human nature. – Would you call any picture ‘good’ if it has no purpose, gives no benefit, and isn’t visually stimulating? – What benefit do viewers get from looking at your pictures?

Dubai Mall, Dubai, UAE.

“Photographers make uncreative pictures because they rely on the camera to do all the work.”

David Osborn Photography

The Picture

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Defining Good Photography


The purpose of your photograph is to benefit the viewer with a visually stimulating artistic experience.

We expect this when looking at other people’s pictures. – We must remember this when making our own pictures.

Konstanz Harbour, Germany – Before & After Image.

What Makes Your Picture Good …

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

1. Mentally Stimulating

Ignites people’s curiosity.

Good Photography is thought-provoking. – What a photograph stimulates is more important than what it shows. The purpose is to stimulate the viewer’s curiosity, imagination, thoughts, and feelings. Evoke an emotional response. Pictures are like conversations; our picture makes a statement, and our viewer responds. – Photography that doesn’t stimulate us is a dead-end conversation, dull and uninteresting; viewers get no benefit or reward. – The viewer may not ‘like’ your picture, but it must ‘stimulate’ them. – Your ‘Purpose’ is self-enjoyment. The viewers ‘Purpose’ is to be mentally stimulated and have their curiosity and imagination ignited.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

2. Visually Stimulating

Appeals to the senses.

Good Photography is visually stimulating. The aim is to be ‘different’ first, not ‘better.’ Then be ‘different then better.’ Our human nature dictates that people prefer ‘different before better.’ Different ignites curiosity and imagination; better only sparks appreciation. Generic or literal only encourages disinterest or boredom.  We must make pictures visually stimulating, and we can make pictures to stimulate ‘people’ by knowing ‘How people are stimulated by pictures.’ More critically, by knowing how people respond to pictures, we can influence their response when creating pictures to generate a more powerful response. – This is the art of creativity.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

3. Visual Language

Fluency dictates picture quality.

Visual art uses ‘Visual Language’ like writers use written language. Visual language is how we communicate visually, and it has principles called ‘Artistic Principles.’ Creative guidelines used by old master painters for creating works of art. – To evoke an emotional response, we must push the viewer’s emotional buttons in a visual way. Artistic knowledge shows us how to do this: ‘How to create photographs people will respond to.’ – Artistic knowledge translates our unrefined raw images into refined, ‘people-friendly,’ engaging Photography which stimulates people’s senses. Art is our ‘Translator’; the more fluent we are, the better our pictures will be.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

4. It's A Fine Balance

Different but understandable pictures.

Good Photography is in the sweet spot between two extremes. Literal pictures don’t benefit the viewer because they show viewers what they expect to see. Not showing anything new, they don’t ignite curiosity. Pictures viewers don’t understand won’t benefit viewers because they can’t engage with them. Engaging pictures use light, three-dimensional form, and a feel of spatial distance to give the picture a foundation of realism; this gives a point of reference to understand the picture. The artistic interpretation makes the picture different, which then stimulates the viewer’s mind and arouses the viewer’s curiosity, thoughts, and feelings.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

The Conclusion

Expand your broader knowledge.

We learn Human Nature first, then Artistic Knowledge, then Photography. Then, you have a foundation to make good Photography because you have the knowledge to understand the unbroken flow of logic from people to pictures. The logic behind ‘picture-making.’ Enthusiasts looking to improve turn to Photography for the answers, unaware the answers they need are not found in Photography. – Nowadays, digital cameras are so good and easy to use that the problem is probably not photographic; it’s probably an artistic or human nature problem. The pictures are beautifully sharp, but feel dead and clinical. Sterile, mechanical, and soulless.

Houses of Parliament, London, England.

“Photography knowledge alone isn’t broad enough to make you a good photographer.”

David Osborn Photography

My Workflow


People respond to light, form, distance, mood and atmosphere. – Spark people’s curiosity, show something different. – You have created a good photograph.

Science proves that what I teach you does work. Here’s where we look in the first 3 seconds: – Before & After Image.

How I Create My Photography …

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

1. Photograph Assets

I use a tripod so all align in Photoshop.

Today, photographs aren’t the product of the camera but software. The camera only records ‘assets’ for Photoshop; where we create the photograph. The more assets we take, the more choices we have to create pictures. These assets are the Base image first: I try to get the final image in a single frame, to which I add improvements. Technical assets improve the technical quality: Exposures for shadow detail, etc. Artistic assets improve the content: Subjects not lit in the Base image, extra people, etc. Finally, various skies to improve mood and atmosphere. –  I take one composition using a tripod so everything aligns, and I often stitch Panoramics.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

2. Technical Perfection

Create the three-dimensional quality.

After compositing the assets with blending and masking, I make the photograph feel real but looks impersonal. – The aim is technical perfection. I make a strong three-dimensional illusion, enhancing the picture’s qualities of light, three-dimensional form, and spatial or atmospheric distance. This gives the picture a foundation of realism, a point of reference to understand it. Once the realistic three-dimensional illusion of reality is created, that underlying realistic feel is always present in the picture, no matter how radical the artistic treatment is. Creating rich and detailed shadows is critical. –  Realism helps the viewer relate to the photograph.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

3. Artistic Transformation

Make the picture my interpretation.

The final stage is to make the photograph feel unreal and personal: An interpretation. I apply the Artistic Principles of light, form, emphasis, contrast, variation, and cohesion, each in turn, to the picture. The workshop explains all of these principles. The emphasis is now on creating visual order and structure for the viewer’s efficiency. Mood and atmosphere for the viewer’s response. The picture should fit in one or more of these categories – Symbolism, connection, ambiguity, or innovation to ignite the viewer’s curiosity, again, all explained in the workshop. – I apply my personal artistic preferences to create photographs in my own artistic style.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

The Conclusion

Photography is self-expression.

Cameras include everything ‘they see,’ and ‘everything’ can ruin our ideal picture; cameras are unforgiving. – Very few photographs are perfect in the camera, but they can be transformed into great pictures if we embrace Photoshop. – Photoshop removes the total reliance on our camera; giving us the freedom to create like painters. When we take pictures, we must judge the subject not as we see it but by ‘what it could become.’ – Visualize its artistic and creative potential. We use the subject only as raw material. Photography is self-expression, but it only works if people understand what we are expressing. – All pictures have underlying principles that can be taught and learned. – My job is to teach you those principles in a concise way.

City of Arts and Sciences, Valencia, Spain.

“Artistic knowledge translates unrefined raw images into refined, engaging Photography people respond to.”

David Osborn Photography

My workshop is your one-off investment in artistic and creative knowledge.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Invest In Your Fresh Start Today

Holidays are short, and conditions are not always perfect. – With knowledge, creating fantastic photographs and getting the most out of our travel opportunities is still possible, followed by the creative satisfaction at home from creating beautiful, artistic pictures. – As a perfectionist, my priority is quality tuition. Personal One To One service is quality tuition. – With my 40 years of experience as a professional working photographer, very limited spaces and unique artistic knowledge mean I get booked up in advance. – Please book early – Prices rise in January 2025.

I can only teach 24 students a year. The first available workshop is in July 2024.

Two Workshop Options

The Leaning Tower of Pisa, Italy – Before & After Image.

Learn Online While Relaxing At Home  …

Online – Most Popular

£4,495

27 Hours Personal Tuition

Free Video Recordings

One To One Tuition

No Travel Expenses

Booked On Demand

Workshop Notes & Files

40 Years Of My Knowledge

In Person Workshop

£5,495

One Week Workshops

No Video Recordings

One To One Tuition

Has Travel Expenses

Booked On Demand

Workshop Notes & Files

40 Years Of My Knowledge

Group Photo Tours

£8,868 +

National Geographic Comparison.

National Geographic Expeditions. Average cost of their Photo Tours excluding international travel and extras. Maximum group size of 88.

Average calculations are based on 31 tours shown on their 2023 website.

* Prices rise on 1st January 2025.

Free video recordings of your Entire Online Workshop.

Having your entire workshop video recorded live is worth the cost of the workshop alone. – Videos provide a lifelong documentation of every step and principle to continue learning for many years to come and in your own time when convenient. – Trial and error learning is slow, painful, takes years, and does not guarantee success. – The most efficient and cost-effective solution is personal one-to-one tuition. 27 hours of live video is the perfect backup resource. It’s scary just how much we forget in such a short time. – Video backups solve the problem.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

David Osborn Photography

Creativity sparks curiosity.  – Click the image.

The Details & Questions Answered  …

  • Twenty-seven hours of live one-to-one Photography tuition. – Video recorded for free.

    You can learn all this using free Zoom video conferencing software without leaving the comfort of your home. – Every session is video-recorded live for your documentation. – The suggested plan is that each session is 3 hours long, 3 sessions per week, for 3 weeks. – 9 sessions or 27 hours. Any session that needs canceling is not lost but rescheduled. – Online is convenient for working around busy work schedules.

    The online workshop has a structured plan, divided into 9 modules or ‘lessons.’ – Each lesson is explained in detail in the workshop notes. We progress through the lessons chronologically. – Before the workshop, I will ask you for about 10 images. – At the start of the workshop, we discuss your images concerning the artistic concepts and principles and identify weaknesses and ideas to improve them.

    In the retouching phase, we apply every lesson to one of my photographs so that you have a photograph containing every step in one complete Photoshop file, from start to finish, as documentation. We do the same, but a quicker run-through using your pictures at the end. – During the workshop, we will also use different files to explain different techniques; certain subjects are better for teaching specific techniques.

    No preparation is needed before lessons, and I don’t set homework. Still, if clients wish to do homework – I am delighted to review it. – Your knowledge, improvement, and documentation are the priority.

    A detailed list of the subjects and order taught is explained in The Photography Workshop Subjects.

  • The aims and content are identical to the online option but just in-person. We cover some theory and Photography techniques before shooting our first picture. On our return, I explain, show, and apply the first Photoshop steps to the image. – The client then writes written notes to document the steps and supplement the detailed workshop notes that I supply. With both notes combined, you have detailed documentation and the Photoshop files for after the workshop. – Workshops are not video recorded.

    We then shoot a second image. The client does all the Photoshop steps already taught on their own with the help of their notes. – I explain, show, and apply the next Photoshop steps to the image, and the client writes additional notes. We repeat the process until all the workflow is covered. This approach maximizes the client’s ‘hands-on’ time. – We shoot as many pictures as time and conditions allow.

    The workshop location is decided on by mutual agreement; we discuss the choices and what is preferred. In the UK, accommodation is in holiday cottages; in Europe, we use Airbnb. The client pays the workshop costs; travel, accommodation, and my international return travel, if required, my flights, train, etc. I cover my drinks, food, or meals. – Read the FAQ Page for the terms and conditions, insurance requirements etc.

    Non-UK workshops include three ‘Photography Days’ worth over £1,900. Three extra days are free but can only be used to shoot portfolio-quality photographs. You gain more workshop knowledge, pictures, and time for free. – I gain new photographs to keep my website fresh and up to date.

    A detailed list of the subjects and order taught is explained in The Photography Workshop Subjects.

    Three options:

    1. Brought to your home in Europe. 11 days.
    2. Travel with you within Europe. 11 days.
    3. Holiday cottage here in UK. 8 days.

    The number of days quoted includes the days needed to travel to and from the Photography workshop.

  • My personal, one-to-one tuition will cost you less than most good group workshops or Photo Tours. Let’s look at National Geographic Expeditions for a cost comparison. They’re about experience, not education, with a potential group of 88. Most workshops are about 6 to 12. – You won’t get 100% personal attention in a group. One-to-one tuition is a better financial investment for learning fast and effectively.

  • The online option is by far more popular. – It’s convenient, fits in with your work schedule, and is cheaper, having no extra travel expenses. Workshops can be spread over time; if you need to cancel a session, it’s rescheduled, not lost. – The central selling point is the 27 hours of live video recordings of every session, documenting every step in minute detail to continue learning in your own time after the workshop ends.

    The online option is more about education and less about experience. – However, if your priority is more about the experience of taking pictures as an enjoyable break from work combined with learning, – then the in-person option is better. It offers far more time for conversation and the opportunity to learn while taking real pictures. – This option allows for group Photography workshops if you arrange the group.

  • Payment is only made by secure online card payment directly to the NatWest Bank in the UK, using the Mastercard system, which then passes your payment on to me. – I have no access to, or store your card information. Your card issuer protects your payment. – The only exception is PayPal for paying the small amount needed for the “Photoshop Download” file. – A deposit of UK £2,000 is required when booking a workshop, and the balance is due thirty days before the start of the workshop. – Please read the “FAQ” page for more details and “The Terms and Conditions,” insurance, expenses, copyright, etc.

  • No. – Lightroom tools are too limited to have the level of control we need over our photographs. Indeed, Lightroom is one significant reason photographs look so literal and generic-looking today. Lightroom is a considerable proportion of the problem. Ironically, it takes no longer to learn Photoshop than Lightroom, but people blindly follow social media advice. – You don’t need to be a Photoshop expert; just confident with the essential Photoshop logic, layout, tools, and procedures. I will teach you Photoshop techniques in my workflow. – Please let me know if you are 100% new to Photoshop and wish to learn Photoshop as preparation for this workshop – we can do a short workshop to get you up to speed before you start. – Email me, and we can work out a plan of action.

  • It’s important to understand that I teach you a structured, repeatable workflow, not my preset style. I am not teaching you to make your photographs look identical to mine. – The aim is to give you all the critical fundamental knowledge and a structured workflow that becomes your basis for quality and style. – Your style will emerge by applying all your choices to every creative decision within the workflow. Given we’re different people, your choices will differ from mine, making your pictures different.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.
David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.
David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.
David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

David Osborn Photography

The Workshop Subjects

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

The Photography Workshop Subjects

I start the workshop by explaining my structured workflow and a Photoshop demonstration. – Then I cover human nature, behavior, and perception for ‘How pictures work’ followed by the Artistic Principles of light, form, emphasis, contrast, variation, and cohesion to ‘Make pictures that work,’ finally Photography skills and Photoshop techniques. The purpose of the Photoshop techniques is to apply the Artistic Principles. We do this by working on photographs from start to finish, so you have at least one file with every step as documentation to accompany the live videos.

Techniques: Photography & Photoshop.

  • Photography – Creating the Photoshop assets with rich shadow detail.
  • Align, clean, and sharpen images. Black & White conversion.
  • Compositing – Advanced masking for sky replacement.
  • Compositing – Exposure blending techniques.
  • Dodge & Burn to create visual energy.
  • Creating three-dimensional form.
  • Create atmospheric distance.
  • Create Rembrandt light.
  • Create moody colors.
  • … and much more.

I’m not teaching you to copy my artistic style. – I’m teaching you an understanding of Photography.

A Quick Workshop Overview

1

Portfolio Review

The workshop starts with a conversation about Photography in general. – We examine the properties of a picture. Visual properties are the Artistic Principles – Light, Form, Emphasis, Contrast, Variation, and Cohesion. The mentally engaging properties are Symbolism, Connection, Ambiguity, and Innovation. – We examine each property looking at your Photography. The aim is that you understand which properties are weak or missing in your Photography.

2

Photography

Photography is divided into three sections: how to identify the best composition, the camera setup, and shooting Photoshop assets. These assets are the base image, getting the picture in a single exposure; technical assets like bracketing for technical perfection; artistic assets for the picture content; and skies for mood. Exposures to freeze or create movement and exposures to add or remove objects. Picture visualization and the shooting sequence.

3

Photoshop

Post-production in Photoshop is divided into: Editing the shoot, file preparation, compositing, technical perfection, and artistic interpretation. – The first phase combines the assets and replaces a sky if needed. The second phase creates a three-dimensional illusion of reality, rich shadow details, form and atmospheric or spatial distance. The final phase is the artistic transformation; creating the artistic Rembrandt light, mood, drama and atmosphere.

Reserve Your Workshop

Lofoten, Norway – Before & After Image.

My Plan For Your Improvement …

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Who Are Workshops For

Photography enthusiasts worldwide.

My workshop is for enthusiasts with a passion for Photography and a desire to improve, who love travelling and the outdoors but want more from their travel pictures than just records of where they went. Enthusiasts who want a short, in-depth, quality tuition in Photography and Photoshop to maximize their travel opportunities. – Online workshops are designed for busy people with limited time; they can be spread over time to fit in with your work. – My job is to give you all the tools to reinvent your Photography with newfound passion and enthusiasm.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

The Workshop Structure

Imagine the knowledge as a pyramid.

Think of the knowledge as a Pyramid. The Pyramid base has the broadest knowledge: Human Nature, Behavior, and Perception. The middle is Artistic Knowledge and Principles. The top is Photography and Photoshop Techniques. The Picture is at the tip. – Each layer of the Pyramid requires the broader knowledge below it. – Workshops start at the base and finish at the top. The subject is only relevant at the top; everything else is fundamental knowledge applying to Photography in general, not a specific subject. – This is a methodical approach to teaching.

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

Fast Efficient Learning

Simple step-by-step learning.

I make learning easy by teaching you one workflow in small modules. Every module is taught step-by-step, with a concise, explainable reason for each step, so nothing is ambiguous. Add the modules together, and you learn my structured workflow in the sequence I use to create my Photography. – You will receive detailed workshop notes for each module and every step taught, as well as Photoshop files and live video recordings of every session (if taken online). I am also available for free follow-up advice and critiquing your pictures after your workshop.

Silvaplana Castle, St Moritz. Switzerland.

“Give a man a fish; you feed him for a day. – Teach a man to fish, and you feed him for a lifetime.”

David Osborn Photography


Workshops are excellent preparation for making the most of your travel holidays, and creating artistic pictures at home is the creative satisfaction after your holiday.

The Dancing House, Prague, Czech Republic – Before & After Image.

Reserve Your Workshop Dates …

Please email me the information below. I will get back to you quickly and personally.
Until then, many thanks and my best regards, David Osborn.

The first available Photography workshop is July 2024.

An Online or In-Person Workshop?

Your Preferred Workshop Dates?

What Country Do You Live In?

David@DavidOsbornPhotography.com

David Osborn Photography, London, England. Teaching enthusiast photographers creative and artistic travel and landscape photography. One-to-one tuition, booked on demand. Online or in-person workshops.

The ‘Mastercard System’ accepts all major bank cards worldwide, not only Mastercard.

David Osborn Photography

Artistic Satisfaction …

Transform yourself from someone who records the world taking literal pictures to a creative person who explores the world to discover new and beautiful artistic Photography.

Artistic Satisfaction …

Transform yourself from someone who records the world taking literal pictures to a creative person who explores the world to discover new and beautiful artistic Photography.

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